Broadway Show Reviews & Critics' Ratings

An excellent cast are let down by self-obsessed direction.

'Bilal Zafar: Imposter is an hour-long story in which Zafar uses comedy to tell the audience about a wild experience he had when his housemate tried to get him arrested five separate times.'

As soon as Faustin takes the stage, she immediately jumps right in, creating a conversational atmosphere with the audience. She designates a table of audience members in the front row as the “rich table” and begins by talking about her experiences flying first class.

After riding triumphant waves in the Edinburgh Fringe, camp musical parody Unfortunate dives into Glasgow to stage a revolutionary queerification of Disney's 1989 movie The Little Mermaid. 

What did our critic think of CLUE: A NEW COMEDY at Emerson Colonial Theatre?

Enter the foggy alleyways and well-appointed drawing rooms of Victorian London for some sly sleuthing and witty social commentary in MISS HOLMES, currently playing at the Fells Point Corner Theatre.

JUDGMENT DAY may be a world premiere comedy, but it trades in old-school jokes. Rob Ulin’s play is relatively simple and wears its moral heart on its sleeve (Main takeaway: Don’t be a jerk), even if lead role Sammy Campo doesn’t have a heart at all. While JUDGMENT DAY pokes some fun at the Catholic church, the play’s satire is not that deep. That said, this play is swiftly moving and delightfully entertaining, and it fully delivers on the promise of offering audiences a good time. 

What did our critic If you 'Wanna be Startin' Something,' then check out Des Moines Performing Arts; not only did they recently announce their 2024/2025 season, but they are not stopping there.  This week, they are bringing the hottest show of the 2021/2022 Broadway Season.  'MJ: The Musical' opened to a packed house on Tuesday night. From the moment the show started, the buzz continued growing, and there was an immediate standing ovation at the end of the show.  What was the buzz about?  think of MJ THE MUSICAL at Des Moines Performing Arts?

With their new work Cycles, it is clear that Boy Blue are at something of a crossroads.

When we hear The Odd Couple, most people imagine the 1970s television series starring Walter Matthau and Art Carney. What some might not know was that it originated as a Neil Simon play on Broadway in 1965. After the success of the film and television versions, Simon adapted the play in 1985 to feature two female roommates, Florence Ungar and Olive Madison. Women’s Theatre Collective brings this play, The Odd Couple – Female Version, to the Ooley Theatre through May 5th.

Sir J.M. Barrie’s classic tale and 1904 play, tells the story of reference to Native Americans who inhabit a fictitious island known as Neverland. Referred to as “Piccaninny Warriors,” include Tiger Lily and her tribe as they steal pockets from the Lost Boys and try to claim the island as their own, reclaiming it from those who began to take it away from them.

What did our critic think of AN INTIMATE EVENING WITH DAVID FOSTER AND KATHARINE MCPHEE at State Theatre Minneapolis?

Extended applause followed the final number.

The Biennale of Sydney and Performance Space present WORKING CLASS CLOWN by Samoan-Australian Fa'afafine Artist Tommy Misa.

With all the glitz and glamor of the iconic film, Pretty Woman: The Musical is a triumphant celebration of love, laughter, and fashion.

What did our critic think of CARRIE: THE MUSICAL at TheatreZone?

The problem with NORA is that in the longer, three-act running time of “A Doll’s House,” Nora’s world and its inhabitants would be fleshed out so that they had depth that is not evident in this adaptation.

Tina: The Tina Turner Musical, gracing the stage of the illustrious Murat Theatre, is an exhilarating journey through the life and music of one of the most iconic figures in the history of popular music. Spanning two acts, this production not only celebrates Tina Turner's unparalleled talent but also delves into the personal triumphs and tribulations that defined her extraordinary career. In this review, we will explore the production's standout elements while offering a neutral perspective on its portrayal of the legendary singer and the key figures in her life.

It is not a flashy musical with special effects and huge dance numbers, but rather a somber meditation on Depression Era America and deep cuts of Bob Dylan’s songbook. It’s brilliant, and it will make you think. It’s akin to watching ghosts sing Americana arias, something you will never quite shake. 

The passionate work, which entered the canon and the hearts of the public due to its protagonist's transgression and the unforgettable Habanera aria, is set in a haute couture atelier with the signature of a specialist in the theme, director Jorge Takla, Ronaldo Zero as associate diretor and musical direction by Roberto Minczuk.